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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240914
DTEND;VALUE=DATE:20250317
DTSTAMP:20260604T103210
CREATED:20250105T193930Z
LAST-MODIFIED:20250105T204846Z
UID:47577-1726272000-1742169599@vanguardculture.com
SUMMARY:Blue Gold: The Art and Science of Indigo
DESCRIPTION:Blue Gold: The Art and Science of Indigo is among more than 70 exhibitions and programs presented as part of Getty’s 2024 PST ART initiative. Returning in September 2024 with its latest edition\, PST ART: Art & Science Collide\, this landmark regional event explores the intersections of art and science. The heart of PST ART is always the distinctive cultural identity of Southern California and the universal hunger for artistic and intellectual discovery.\n\n\n\nIndigo\, a varied plant family that grows worldwide and the deep\, blue dye it produces\, has a long and multifaceted history of cultivation\, production\, and distribution. Indigo is everywhere – in Japanese kimonos\, West African traditional garments\, saris from India\, and painted onto architectural structures in the southern United States. Blue Gold combines craft\, science\, and history to explore this color’s complex past and present. Featuring stunning objects of creative expression coupled with the astonishing study of a chemical reaction\, this exhibition presents indigo as a compelling manifestation of art and science. Indigo’s beauty and ubiquity have eclipsed the unpleasant realities of its growth and manufacture\, including hard labor and pollution and its association with colonialism and slavery. This exhibition highlights the importance of nuanced conversations that celebrate beauty without skipping over a grim past. Discover the roles of botany\, chemistry\, ecology\, and economics in indigo cultivation and dive into a deeper appreciation for blue hues. Through workshops and talks led by local artists\, including a Master Craftsman Lecture with Porfirio Gutiérrez and Dyeing Classes with Sarah Winston\, be immersed in the world of indigo. There is magic in the transformation from plant to pigment. For more information about PST ART: Art & Science Collide\, please visit pst.art\n\n\n\nSep 14\, 2024 – Mar 16\, 2025\n\n\n\nMingei International Museum 1439 El Prado San Diego CA 92101\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://vanguardculture.com/event/blue-gold-the-art-and-science-of-indigo/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241019
DTEND;VALUE=DATE:20250414
DTSTAMP:20260604T103210
CREATED:20250222T045259Z
LAST-MODIFIED:20250222T045259Z
UID:48464-1729296000-1744588799@vanguardculture.com
SUMMARY:MARSHALL TOOMEY: BLACK AMERICANA
DESCRIPTION:Marshall describes his work as autobiographical. “My own style is blended with traditional techniques to create an enriched view of the life I’ve experienced. I placed myself in the scene along with other characters from my life. I am taking a look at the positives in everyday life; the perspectives\, traditions\, and routines of being outside of the struggles.\nMy paintings represent moments in time. I aim for realism with incredible vitality—they feel almost alive. I like to paint portraits\, animals\, and food. I have always had a drive to be the best artist I could be. I continue to constantly look at the masters of art in magazines and books\, and study every cartoonist I see.\nThis first solo show is an extremely important step early in my fine art career. Telling a NEW story is my goal. Museums need a different look at history for people to see that there is always more to the story.”\nToomey’s mission is to make art for the masses. His early childhood goal was to have a successful syndicated comic strip running daily in every newspaper in the world. Although he sent hundreds of submissions to syndicates into his young adult years\, he never got picked up. Although he had to let go of that particular dream\, he never gave up on dreaming altogether and at 24-years-old he bought a one-way ticket to Hollywood\, California. Toomey went on to become a successful animator with a 40-year career as a professional artist\, including 20 years at Walt Disney Animation Studios. His credits include participation in Aladdin (1992)\, The Lion King (1994)\, The Hunchback of the Notre Dame (1996)\, and Hercules (1997). He also illustrated many books\, including The Lion King book created after the movie.\nToomey was born in 1953 and raised in Kansas City\, Missouri. He was selected for this solo exhibition as the Grand Prize winner in OMA’s 2023 Artist Alliance Biennial\, for his painting The Shop.\nOceanside Museum of Art\n704 Pier View Way\nOceanside\, CA 92054\n \n \n 
URL:https://vanguardculture.com/event/marshall-toomey-black-americana/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250101T080000
DTEND;TZID=America/Los_Angeles:20250630T170000
DTSTAMP:20260604T103210
CREATED:20250105T182604Z
LAST-MODIFIED:20250105T184403Z
UID:47532-1735718400-1751302800@vanguardculture.com
SUMMARY:Becoming Betty Boop
DESCRIPTION:Betty Boop has been a cultural icon for nearly 100 years. In collaboration with Fleischer Studios\, this one-of-a-kind exhibit embarks on a nostalgic journey\, starting with Betty’s beginnings to her rise to international popularity—and what makes her a fan favorite today. First introduced in 1930\, Betty Boop was created by Max Fleischer for his “Talkartoons” series\, the world’s first animated “talkies\,” which Max’s company\, Fleischer Studios\, produced for Paramount Studios. Personifying the fabulous flappers and jazz artists of the day\, she was also the earliest animated character to be on broadcast television\, drawn live on-air by creator Max Fleischer. Also highlighted are the eight women who have voiced Betty over the years.\n\n\n\nComic-Con Museum 2131 Pan American Plaza San Diego CA 92101\n\n\n\nNow – June 2025\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://vanguardculture.com/event/becoming-betty-boop/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250103
DTEND;VALUE=DATE:20250303
DTSTAMP:20260604T103210
CREATED:20250105T200252Z
LAST-MODIFIED:20250105T200252Z
UID:47600-1735862400-1740959999@vanguardculture.com
SUMMARY:United Fantasy
DESCRIPTION:Sparks Gallery is proud to present United Fantasy\, a captivating new series by Alexander Arshansky. Known for his vibrant use of color and intricate\, fluid lines\, Arshansky invites viewers on a mesmerizing journey through forms that evoke the essence of living organisms—plants\, landscapes\, body parts\, and organic structures. His works blur the boundary between imagination and reality\, drawing the viewer into a dreamlike world where exploration feels infinite. While the complexity of his compositions may disorient at times\, each piece is anchored by an element that gently pulls you back to the tangible.\n \nJanuary 3 – March 2\, 2025\nOpening reception with the artist: January 19th\n \nSparks Gallery\n530 Sixth Avenue\nSan Diego\, CA 92101\n \n\n \n\n \n\n 
URL:https://vanguardculture.com/event/united-fantasy/
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250111
DTEND;VALUE=DATE:20250314
DTSTAMP:20260604T103210
CREATED:20250105T194623Z
LAST-MODIFIED:20250105T194623Z
UID:47585-1736553600-1741910399@vanguardculture.com
SUMMARY:ANA MARÍA HERRERA: LAYERED MEMORIES
DESCRIPTION:Ana María Herrera’s work explores identity\, displacement\, and cultural coexistence through an intricate blend of found objects and diverse materials\, such as wood\, glass\, metal\, and fabric. Her compositions reflect the ephemeral nature of existence\, particularly in the border region\, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs\, textiles\, and three-dimensional elements\, Herrera examines the emotional and physical boundaries that shape personal and collective identities\, addressing themes of vulnerability\, resistance\, and resilience within the contemporary sociopolitical landscape.\n \nJanuary 11–March 14\, 2025\n \nOpening Reception: Saturday\, January 11\, 5–8 PM\, during the Barrio Art Crawl\nAthenaeum Art Center\n1955 Julian Avenue\nSan Diego\, CA 92113\nTuesday–Saturday\, 10 AM–4 PM;\nevery second Saturday during the Barrio Art Crawl\, 5–8 PM\n \n\n \n\n \n\n 
URL:https://vanguardculture.com/event/ana-maria-herrera-layered-memories/
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://vanguardculture.com/wp-content/uploads/2024/12/AnaMariaHerrera1-e1734753760898.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250130
DTEND;VALUE=DATE:20250613
DTSTAMP:20260604T103210
CREATED:20250106T235905Z
LAST-MODIFIED:20250130T003425Z
UID:47752-1738195200-1749772799@vanguardculture.com
SUMMARY:SD Italian Film Festival Monthly Series
DESCRIPTION:Experience the best of Italian cinema year-round with the San Diego Italian Film Festival! Enjoy monthly screenings at central locations like the Digital Gym Cinema at UC San Diego Park & Market and the Museum of Photographic Arts in Balboa Park. More than movies\, this festival celebrates identity\, history\, and community\, inspired by Italy’s vibrant piazzas where stories\, friendships\, and culture thrive. Join us in exploring art\, connection\, and the joy of sharing through the lens of Italian cinema.\n \n \n  \n \n\n 
URL:https://vanguardculture.com/event/sd-italian-film-festival-monthly-series/
CATEGORIES:Film & Multi-media
ATTACH;FMTTYPE=image/jpeg:https://vanguardculture.com/wp-content/uploads/2025/01/Sophia-Loren_Marcello-Mastroianni_filmIeri-oggi-domani-e1736207671576.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250201
DTEND;VALUE=DATE:20250714
DTSTAMP:20260604T103210
CREATED:20250105T200843Z
LAST-MODIFIED:20250105T200843Z
UID:47608-1738368000-1752451199@vanguardculture.com
SUMMARY:Women in Focus
DESCRIPTION:“Although the result is obtained by chemical means\, the little work it entails will greatly please ladies.” So wrote one of photography’s inventors\, Louis-Jacques-Mandé Daguerre (1787–1851)\, about his eponymous daguerreotype in 1839. Daguerre’s words\, which associate women with idleness\, are clearly misogynistic. Yet in a backhanded way\, Daguerre predicted the pivotal role women would play in photography since its invention in the 1830s. Undaunted by photographic chemistry—and often neglected or derided by their male peers—women have made huge contributions to the development of the medium across a variety of genres.\n \nIn the nineteenth century\, photography was more accessible than established artistic disciplines like painting and sculpture because it was new and thus free from conventional training that historically prohibited women. It was relatively inexpensive to start and could be practiced at home with makeshift darkrooms set up in closets or bathrooms. Yet even with fewer barriers to entry\, women faced their share of constraints in a male-dominated field. Expectations of gender often dictated the themes they could pursue\, encouraging portraiture and still life rather than photographs of war and exploration.\n \nWomen took up photography in increasing numbers in the twentieth century\, and by the 1930s\, some of the most successful photographers in the world included Margaret Bourke-White\, Dorothea Lange\, and Imogen Cunningham\, all on view in this exhibition. Women in Focus\, drawn from The San Diego Museum of Art’s permanent collection (which merged with the Museum of Photographic Arts in 2023)\, allows for a fuller account of the medium’s history by highlighting how women have shaped photography from the mid-nineteenth century to today.\n \nMuseum of Photographic Arts\n@ The San Diego Museum of Art\nNash Gallery\nFebruary 1 – July 13\, 2024\n \n\n \n\n \n\n 
URL:https://vanguardculture.com/event/women-in-focus/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250201
DTEND;VALUE=DATE:20260202
DTSTAMP:20260604T103210
CREATED:20250202T030012Z
LAST-MODIFIED:20250202T030052Z
UID:48236-1738368000-1769990399@vanguardculture.com
SUMMARY:Da Vinci’s First Flight
DESCRIPTION:The world has long been captivated by Leonardo da Vinci’s remarkable inventions and insatiable curiosity. Now\, this fascination takes flight in a groundbreaking exhibition titled Da Vinci’s First Flight\, presented by the Artisans of Florence\, on behalf of the Museum of Leonardo da Vinci.\nSet to make its world premiere at the San Diego Air & Space Museum in February 2025\, this immersive experience invites visitors to explore the incredible story of Zoroastro of Peretola\, the young apprentice who may have been the first test pilot for one of Da Vinci’s legendary flying machines.\nFebruary 1\, 2025 – February 2026\nSan Diego Air & Space Museum\n2001 Pan American Plaza\nSan Diego\, CA 92101
URL:https://vanguardculture.com/event/da-vincis-first-flight/
CATEGORIES:Special Event,Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250204
DTEND;VALUE=DATE:20250305
DTSTAMP:20260604T103210
CREATED:20250113T222226Z
LAST-MODIFIED:20250113T222226Z
UID:47922-1738627200-1741132799@vanguardculture.com
SUMMARY:Movidas Razquaches and Other Cheap Thrills
DESCRIPTION:Join us at Southwestern College Art Gallery for the opening of Movidas Razquaches and Other Cheap Thrills\, a collection of new work by artist Perry Vásquez. The exhibition is open from February 4 – March 4\, 2025. Regular Gallery hours are Monday through Thursday\, 10:30 AM -2:30 PM or by appointment.\nABOUT THE LANGUAGE\nAccording to Tomás Ybarra-Frausto\, rasquachismo is a sensibility that gets expressed in Chicano cultural forms and practices. Ybarra-Frausto writes\, “It is a sensibility that is not elevated and serious\, but playful and elemental. It finds delight and refinement in what many consider banal and projects an alternative aesthetic\, a sort of good taste of bad taste.” Like African-American funk\, or the improvised inventions of Rube Goldberg\, the emphasis is on wit\, resourcefulness and working with what is at hand. The add-on word\, movida\, can be translated as a maneuver\, or a play (as in a game). Poet Juan Felipe Herrera interprets movidas rasquaches as “cheap thrills”\, linking it to a pleasurable activity open to anyone who cares to partake. While legal scholar Alfredo Mirandé offers the word “hustle\,” suggesting an illicit or unethical way to make a living. Sociologist David Spener uses movidas rasquaches to describe the network of the ad hoc work-arounds and tricks employed by migrants to navigate the US/Mexico border. While no single one of these terms perfectly captures the full meaning\, taken together they give a reliable framework for interpretation.\nABOUT THE WORK\nOver the last year and a half\, Vásquez has created new work that divides into four projects using different media and including collaborative and solo work. Some of the projects are well established while others are being presented to the public for the first time in this exhibition.\n\nBlankets\nVásquez collects flyers advertising gardening services left on his driveway by workers seeking employment. The no-thrills graphic style and the not-so-subtle way in which they seem to copy each other caught the artist’s eye. The act of weaving the flyers into blanket designs celebrates the DIY approach while reminding us of the workers’ aspirations to provide warmth and shelter for their families.\n\nLe Voyage/El Viaje\nThis is an AI imaging project whose goal was to rethink and replace the transactional language used to prompt and generate AI images. “The AI image making process is hyper-focused on the outcome as the only part of the process with artistic merit. The prompt itself is written to be transactional and limiting.” Vásquez turned the process of generating imagery into a Surrealist game by inserting lines from French poet Charles Baudellaire’s poem Le Voyage into the software. The resulting images were used as the basis for a series of oil paintings.\n\nMonopalms\nThe presence of cell towers disguised as palm trees (monopalms) has become a common sight in Southern California. This series of paintings implies the link between palm trees and the myth of paradise. The paintings also offer commentary on the telecommunications industry and how it alters our perception of nature and our sense of public and private space.\n\nMexus Nexus Fluxus\nInspired by Mexican recording artist Esquivel and the German techno artist Señor Coconut\, Vásquez arranged four traditional Mexican songs for the synthesizer. He then worked with visual artists Lianne Mueller-Thompson and Carlos Solorio to create video and animations for the music. The music will be presented as a video installation.\nRECEPTIONS\nSaturday February 8\, 11 AM -1 PM.\n(free parking in Lot O for this event)\n\nTuesday\, February 11\, 11 AM -1 PM.\nSouthwestern College Art Gallery\n900 Otay Lakes Rd.\nRm 88-101\nChula Vista\, CA 91910
URL:https://vanguardculture.com/event/movidas-razquaches-and-other-cheap-thrills/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250208
DTEND;VALUE=DATE:20250901
DTSTAMP:20260604T103210
CREATED:20250201T033655Z
LAST-MODIFIED:20250201T033655Z
UID:48229-1738972800-1756684799@vanguardculture.com
SUMMARY:Stories that Connect Us: Selections from the OMA Collection
DESCRIPTION:The growing collection of over 300 works of art at Oceanside Museum of Art reflects the museum’s devotion to preserving the art and stories of Southern California artists.  The Stories that Connect Us: Selections from the OMA Collection\, is a sampling of works from 35 artists ranging in style from portraiture to abstraction that highlights the diverse genres of art OMA has presented over the past 28 years. This exhibition explores narratives surrounding the development of the museums exhibitions and the relationships they have formed with artists and collectors. Many of the featured artists such as James Hubbell\, Ethel Greene\, Italo Scanga\, Roland Reiss\, Jen Trute\, and William Glen Crooks and have had groundbreaking exhibitions at OMA. Additional artists\, such as John Baldessari\, Richard Allen Morris\, Gail Roberts and Robin Bright\, examine the special focus OMA has on collecting prominent artists from San Diego and the important role the museum plays in the artistic growth and education of regional art.\nEXHIBITION CELEBRATION\nSaturday\, March 1\, 2025\n5:00-7:00pm\nOceanside Museum of Art\n704 Pier View Way\nOceanside\, CA 92054
URL:https://vanguardculture.com/event/stories-that-connect-us-selections-from-the-oma-collection/
CATEGORIES:Visual Arts
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250214
DTEND;VALUE=DATE:20250307
DTSTAMP:20260604T103210
CREATED:20250130T231255Z
LAST-MODIFIED:20250227T181101Z
UID:48217-1739491200-1741305599@vanguardculture.com
SUMMARY:2025 Oscar Nominated Shorts: Documentary
DESCRIPTION:Opens on February 14\n\n\n\n\n\nRun Time: 159 min.\n\nSynopsis: For the 20th consecutive year\, ShortsTV presents the Oscar-Nominated Short Films\, opening on Feb. 14th. With all three categories offered – Animated\, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country and the world\, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday\, March 2nd.\nDOCUMENTARY SHORTS (Estimated Running Time: 159 minutes)\nDeath by Numbers – Kim A. Snyder\, 33 min.\, USA (in English)\nI Am Ready\, Warden – Smriti Mundhra\, 37 min.\, USA (in English)\nIncident – Bill Morrison\, 30 min.\, USA (in English)\nInstruments of a Beating Heart – Ema Ryan Yamazaki\, 23 min.\, Japan (in Japanese)\nThe Only Girl in the Orchestra – Molly O’Brien\, 34 min.\, USA (in English)\nShowtimes:\nFriday\, February 14\, 2025:\nSaturday\, February 15\, 2025:\nSunday\, February 16\, 2025:\nMonday\, February 17\, 2025:\nTuesday\, February 18\, 2025:\nWednesday\, February 19\, 2025:\nThursday\, February 20\, 2025:\nTicket Prices: $13 Regular / $11 Students & Seniors / $9 Members\nTrailer: https://shorts.tv/theoscarshorts/ \nDigital Gym Cinema\n1100 Market St\nSan Diego\, CA 92101
URL:https://vanguardculture.com/event/2025-oscar-nominated-shorts-documentary/
CATEGORIES:Film & Multi-media
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250215
DTEND;VALUE=DATE:20250602
DTSTAMP:20260604T103210
CREATED:20250222T044450Z
LAST-MODIFIED:20250222T044545Z
UID:48460-1739577600-1748822399@vanguardculture.com
SUMMARY:afra eisma: hush
DESCRIPTION:Through art making\, Dutch artist Afra Eisma processes her own personal trauma and creates spaces for visitors to do the same. Vibrantly colored weavings and stuffed sculptures combine with handmade ceramic elements to form new worlds where aliens\, insects\, and humans gather. Mythological beings and dreamlike places blend with body parts to create safe spaces for the full range of emotional expression. For Eisma\, her artistic practice is one of healing through feeling.\nFor Hush\, her exhibition at ICA Central—her first solo exhibition in the United States—Eisma is designing an experience inspired by the healing properties of breath. As Eisma explains\, “Breath is a tool in becoming more present; it’s a healing power for our nervous system\, a bridge between body and mind. Breath is a bodily function that we have the power to control\, or we let it take control of us.”\nEisma will design an immersive\, multi-media installation with audience participation in mind. Her participatory\, tactile installations will blow\, heave\, and gasp\, reinterpreting the sounds\, sensations\, and act of breathing. Breath is an indicator of life and can be quite intimate. This exhibition draws attention to breathing as an accessible tool for healing\, a hallmark of many wellness practices\, it is a proven stress-reducer\, resetting the link between body and mind.\nICA CENTRAL\n1439 El Prado\nSan Diego\, CA 92101\nNow – June 1\, 2025
URL:https://vanguardculture.com/event/afra-eisma-hush/
CATEGORIES:Visual Arts
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END:VEVENT
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